Full Frame Sony PXW-FX9. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots. The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras. SAN DIEGO, Sept. 13, 2019 /PRNewswire/ -- At IBC 2019 in Amsterdam, Sony today unveiled the PXW-FX9, its first XDCAM camera featuring an advanced 6K² full-frame sensor and Fast Hybrid Auto Focus (AF) system.The new camera offers content creators greater creative freedom and flexibility to capture stunning images that truly resonate with audiences. We aren’t sure yet if the FX9 utilizes the same sized 24.8MP 36.2 x 24.1mm full-frame CMOS sensor that is found in the VENICE. Full-Frame cine becomes mainstream. This isn’t the first time Sony has had a product called FX9. A LAN interface and two USB ports provide live streaming and file transfer abilities, as well as compatibility with XDCAM Air streaming playback.Future firmware updates will enable 16-bit raw 4K/2K recording output to compatible external recorders, as well as provide functionality to a built-in wireless audio slot for DWX/UWP wireless receivers. Pricing. The FX9 will also work with the newly launched E-mount lens FE C 16-35mm T3.1 G, which uniquely balances full manual operability for movie shooting and auto-control functions. The dedicated 561-point phase-detection AF sensor covers approximately 94% in width and 96% in height of imaging area, which Sony claims provides consistently accurate, responsive AF tracking, even with fast-moving subjects while maintaining shallow depth of field. (VENICE dual base ISO 500 and 2500). SAN DIEGO, Sept. 13, 2019 /PRNewswire/ -- At IBC 2019 in Amsterdam, Sony today unveiled the PXW-FX9, its first XDCAM camera featuring an advanced 6K² full-frame sensor and Fast Hybrid Auto Focus (AF) system.The new camera offers content creators greater creative freedom and flexibility to capture stunning images that truly resonate with audiences. The locking mount reduces lens play and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. The Sony FX6 has arrived with specs videographers have grown to expect in 2020.. not using external device), XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264, XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC, MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL, XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p, XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p, MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P, XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR, 35 mm full-frame, single-chip CMOS image sensor, Clear, linear variable ND (1/4ND to 1/128ND), ISO 800/4000 (Cine EI mode, D55 Light source), Preset, Memory A, Memory B (2000K-15000K)/ATW, SDR mode: S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable, SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI, Omni-directional monoral electret condenser microphone, electronic variable neutral density (ND) filter, Knowledge: S-Cinetone White Paper Version 1, © 2004 - 2020 Sony Europe B.V. - Terms and Conditions of Website Use, 3 Years PrimeSupport free when you register, Enhanced Cover with PrimeSupport Elite for PXW-FX9, Cine EI mode: Set EI gain lower and exposure level higher instead, Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6). 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